My mum lives in Boston; she's famous for teaching wushu and t'ai chi. So from when I was young, my mum and aunt were like: 'You're training; you're not playing baseball or football.' Training every day was normal. Later, when I was almost a teenager, Bruce Lee became my idol.
I use a Bruce Lee technique: 'The way of no way.' He had the idea that he would learn everything, so that whoever he had to fight, he could improvise anything. The best way of starting a gig is just to not think of anything - to clear your mind, not in an empty Zen state, but more just to go on and see where you go.
When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.
The main thing about Bruce Lee is that, he was a little guy. And you know, his quickness, his aggressiveness, his explosive power, you have to be a great athlete to have all these, his body, his look, you know, all these things have to do with discipline and structure. He was able to go against the biggest guy, regardless of who he was.
Our love of kung fu goes back to the Bruce Lee days in the 1970s. Outside the action, we loved the interesting, heartfelt stories and the dialogue. It was RZA's idea to draw all that in there as samples.
I never wanted to be the next Bruce Lee. I just wanted to be the first Jackie Chan.
When I got depressed, I watched Bruce Lee movies. I learned everything from Bruce Lee.